The stage seems seriously constrictive for comback kids The Lumineers, until frontman Wesley Schultz lets his mind go full-screen and he goes out dancin' in the rain.
Director Isaac Ravishankara unravels a gorgous and slow-burning apocalyptic tale that's way more about emotion than destruction. Or to reference an old R.E.M. song, it's the end of the world as they know it, but Selah Sue feels a bit less than fine.
Meet the jazziest and grooviest serial killer vampire you ever did meet as we find out whether love will change his ways. (Spoiler Alert: It does not).
And, yes music video fans: That is fellow director Dugan O'Neal moonlighting as the Vampire.
Lip Dubs, cover songs and all sorts of other unofficial content goes like gold on YouTube, so why not a prograde dance video with Jilly Meyers — who also helped choreograph and conceive the Hozier "Work Song" video — and her fellow Seaweed Sisters playing out a slapstick desert misadventure to the tune of Tune-Yards "
POLIÇA's Channy Leaneagh is a motel maid — hey, she needs money — but she's also tempted by the creative life she could be having as a musician. So, she's gonna leave.
You know those trust-building exercises? Imagine that, but with much higher stakes. Director Isaac Ravishankara uses one here that involves a plank, a deep chasm and a whole bunch of trust on behalf of KT Tunstall.
"Stubborn Love" plays like a pre-teen version of "Everybody Hurts," as a young girl sees that love, hurt, and simple transcendence are all around, and if you;ll allow me to get as poetic as the video, as temporary as the condensation on a car window.
