So You Want To Be A Music Video Director?

Alex Topaller of video directing/creative team Aggressive answers a lot music video questions you may have been afraid to ask... and has answers that you may not want to hear (or agree with)... PS: the views expressed here are are solely those of his own bad self. 

So you want to be a music video director? That’s a terrible idea. No, really. Don’t do it.

Stop right now and choose something else while you can, before we find ourselves discussing this very moment in two years when I can pompously say, “See! I was right! Now you understand that it’s more of a complicated love affair than a career!”

Are you still here, dear reader?

You are? Huge mistake, but oh well. Since I can’t change your mind, I can at least fulfill my civic duty by arming you with a few pointers before sending you into the reverberating tunnels of the music video world in search of non-existent treasure.

Just don’t say I didn’t warn you!

The War on Drugs "Under The Pressure" (Houmam, dir.)

This is one of those videos that remind me of the early days of alternative — a homespun, analog and within six degrees of R.E.M. — but what makes it particularly resonant is the last three minutes, when we look out the window and the visuals take on a spark and color as the guitars crescendo and wash reality away under a sound wave. Consider it an acid test: Is it noise, or blissed-out catharsis?

Nicki Minaj "Anaconda" (Colin Tilley, dir.)

Is it the apex of female empowerment for Nicki Minaj to take a term Sir Mix-A-Lot used to refer to his manhood and coil it into a reference to her own powerful assets? Or, are we just looking at an excuse to watch booty shake like rattlesnake tails? 

Welcome to the insane territory of no-holds-barred postmodern music video, where you don't need to just stop at putting em on the glass; Now you can shatter that glass with ferocious ass-rattling power. In a set-up similar to Katy Perry "Roar" — think of "Anaconda" as the Hard R version — MInaj unleashes the booty and likely renders you speechless (or in the case of lap dance recipient, Drake, painfully immobile).

And, if you decided to get on the discussion of whether Taylor Swift was appropriating, or propogating sterotypes in her "Shake It Off" video, well, I look forward to your thoughts on this one.

In the meantime, I'll agree with my friend Ethan who notes that there could have been room for cameos by Jon Voight, J.Lo and Ice Cube... Or, at least Kari Wuhrer, right?

Taylor Swift "Shake It Off" (Mark Romanek, dir.)

Taylor Swift might be going much more pop than you'd have expected — and maybe the thought of seeing her as a B-Girl, or a ballerina, or a hyper-stylized Gagaesque artist makes you very nervous, but no need to worry. It's all in fun with a "just be yourself" message, with an '80s golden age of pop video that directly references "Mickey" by one-hit-wonder Toni Basil. 

Nico & Vinz "Am I Wrong (Official U.S. Music Video)" (Rik Cordero, dir.)

You'd be forgiven if you saw the original version of "Am I Wrong" and had no idea that you were witnessing the biggest Scandinavian pop duo since Roxette. That's not to say this new "Official U.S. Music Video" — made in conjunction with Complex Media and Pepsi Pulse — reaks of anything to do with the land of semi-disposable furniture.