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Cage The Elephant "Cigarette Daydreams" (Mark Pellington, dir.)

Everybody knows dumping a body in the LA River is a bad idea. It's paved. And shallow. But, using it as a place to set fire to bad memories, bad habits and bad vibes is very smart, indeed. Director Mark Pellington runs through memories and fears as only he can, mixing up film styles and references in a tricky way that's as easy to follow as a sharpened knife edge. If it feels a bit personal, well, maybe knowing that the star of the video is French actress Juliette Buchs — married to Cage The Elephant singer Matt Schultz — adds even more clues and resonance.

Lenny Kravitz "The Chamber [NSFW]" (Anthony Mandler, dir.)

Twenty-five years ago, when he himself was twenty-five (!!!!), Lenny Kravitz debuted with a plea for all of us to let love rule. Twenty-five years later, Lenny learns that love is a dangerous thing in, by far, his steamiest video ever — and that's including "Black Velveteen".

Shot by Anthony Mandler in Paris — partially in Lenny's own residence there.

2014 BET Hip Hop Awards Video Nominations

BET Hip Hop Awards Season officially starts now... The annual showcase tapes Saturday, September 20 with an airdate to follow on October 14 @ 8pm ET on BET.

Last year's show opener, Snoop Dogg, is the official host — he actually seems to be going by Uncle Snoop now, if you're keeping track — andDrake leads all nominees with eight nods, followed closely by JAY Z, Future and Pharrell who received six apiece.

Video nominees are...

Best Hip Hop Video

Video Director of the Year

Visit BET.com for full nominations and more...

Priory "Weekend" (David Vincent Wolf, dir.)

You'll fall in love at the roller rink. Or more precisely, she'll fall in love with you once she sees your sweet moves during All Skate. How could she not? At least, in your fantasies that's how it would play out, right?

A lovely video, especially if you came of age when your weekends were filled with rollerskate parties and unrequited crushes...

The Lost Cost of Rick Rolling?

This factoid came across the transom today:

I don't know how factual that "fact" is (ed: research is old media), but I do know the general math and, yes, $12 seems quite low for ad revenue for 100 million views.

Except, what if 99,999,999 of those views were Rick Roll memes that obnoxious users created via their own rogue uploads? Then it seems like a pretty good chunk of change. And the only ones to blame for Rick's lack of royalties are ones who ran up that view count all in the name of a bad joke. 

Or maybe Rick Astley has a really crappy deal. Or learned the hard way that it's good to own your copyrights and write your own songs. Or maybe the math here is just totally wrong —  there's a 2010 Register article that quotes the $12 performance royalty in regards to its then 39 million plays, which means updating is in order. Or, maybe the answer is really complex and murky and really, wouldn't you rather just dance to a sweet '80s jam?

Seacats "Liar" (Sebastien Deramat, Mike Davis, dir.)

Things get meta in this homespun clip from Seacats. An old VW bug, a projected journey, a camera capturing it all onto a TV, and then another camera capturing what is the actual video. And, the good sense to know that 1:45 is all you need to make a point in the Internet age  — well, almost, since there's a 16-bit non sequiter coda that's random as the Internet can be.

Tony Bennett & Lady Gaga "I Can't Give You Anything But Love"

I love how Lady Gaga remains in character in what's designed to be a "behind the scenes" recording session video — and I especially love how that "character" is always in flux, bouncing here from a Cher ensemble to something closer to Linda Richman. But, this is potentially genius for Ms. Gaga: The young pop "consumer" is incredibly fickle, but Gaga still has a voice and an undeniable talent; and your mom is more likely to plunk down $15 for old friend Tony Bennet and his spunky sidekick singing the classics, than a 15 year old would be willing to part with any money for any pop fluff they'll probably tire of within 15 minutes. And Tony? Well, the legendary Mr. Bennett knows his creative and commercial way around pop crossovers very well, having shared the mic with everyone from Amy Winehouse to Queen Latifah to Sting, Bono, Tim McGraw and even Elmo.

Travis Hayes "Bath Salts" (Daniel Madore, dir.)

Remember when we were all worried about the Great Bath Salt Menace of Summer 2012? Zombified tweekers feasting on flesh and soap, or whatever the hell it was all about. Now we have bigger, realer worries: beheadings, ebola, naked photos of famous people on the Internet. But, flash to that first wave of Bath Salt Panic as you watch what's essentially an homage to the Spike Jonze x Wax "California" model: A slow motion chase, but in this case we have homeless drug addicts and the fire is contained to a lighter. I don't know who Travis Hayes is, or who these people are — shit, I don't even really know what bath salts are — and I will admit that there's a tinge of trustafarian slumming to the video concept, but there's also something ludicrously beautiful in watching what could be a :30 second segment from a lesser Miami Vice episode slowed down and played out like a graceful ballet.